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Posts Tagged ‘God Country’

The Stack-6/14 & 6/21/17

In new books, reviews on June 22, 2017 at 11:49 pm

Bah-weep-Graaaaagnah wheep ni ni bong, everybody! So yeah, you COULD go and see YET ANOTHER pandering, garbled mess of a Transformers movie this weekend, OR you can hear me out for a minute and learn about all of the amazing comic books that came out recently, and spend your hard-earned energon on those instead, thus making the world a better place. If Transformers 5 had a poor showing at the box office, perhaps Hollywood would get the message that we’re tired of formulaic shit. With comics sales on the rise, perhaps we’ll just continue to get more of them, and their creators won’t need to rely on Patreon to make ends meet. Some win-win food for thought, free of charge.

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Let’s start with last week’s books, which I failed to cover in a timely fashion because, despite having played every single Persona game, I am still terrible at time management. More accurately, the little time I had left after playing Persona 5 for far too long was not managed well. I am merely mortal, folks, and my hobbies are many. Okay, before this goes from digression to full blown video game review, let’s get to the comics.

Cinema Purgatorio #10 (Alan Moore, Kevin O’Neill, Garth Ennis, Raulo Caceres, Max Brooks, Gabriel Andrade, Keiron Gillen, Nahuel Lopez, Christos Gage, Kurt Hathaway-Avatar Press): Look, I know the arguments. Many of you have Alan Moore burnout. They just announced a Watchmen reboot TV show. You’re tired of his name being used as comic book cool kid currency. Perhaps you don’t like just how often sexual assault shows up in his work. Just bear with me for a moment, and trust in your old pal Jared. He won’t steer you wrong, even when he talks in the third person like a total wanker. This book is REALLY good. All of the work in it is strong, and it contains one of my favorite Moore stories, which goes right up there with Promethea and Miracleman. We see from the point of view of the main character that they are trapped in a purgatory consisting of an old movie house, one which shows films that are familiar, but also bizarre. Moore uses this as his platform to dissect the malicious underbelly of Hollywood and other studios responsible for the cartoons, movies, and news reels of yesteryear. This latest installment is pure inspired brilliance. In it we’re subjected to a children’s film starring precocious, sleuthing scamps who, appropriately enough, are investigating a cursed cinema. The kids’ aunt mentions that movies played there skip, are missing frames, and that sometimes a hair will get caught in the gate of the projector. Soon after, those things happen to the very film these kids are IN, only from their perspective that manifests as time jumps and an otherworldly centipede demon. Things go from innocence to horror so quickly that it is genuinely jarring. You can say a lot about Alan Moore, but you cannot say that he has lost his ability to layer a unique story, and deliver it with real impact.

Winnebago Graveyard #1 (Steve Niles, Alison Sampson, Stephane Paitreau, Aditya Bidikar-Image): Steve Niles is one of comicdom’s great horror writers, responsible for fan favorites like 30 Days of Night and Criminal Macabre. In his latest, a miniseries about a family taking a road trip that goes horribly awry, he combines some of the great horror movie tropes like creepy carnivals and small town death cults into something uniquely unnerving. What really makes it all gel so well is the sketchy, atmospheric look of Alison Sampson’s artwork. I keep paging through and finding new details.

Secret Empire #4 (Nick Spencer, Leinil Francis Yu, Gerry Alanguilan, Sunny Gho, Rod Reis, Joshua Cassara, Rachelle Rosenberg, VC’s Travis Lanham-Marvel): Just a quick word or two on this issue. There is some new, messed-up fusion of Hank Pym and Ultron that lives in Alaska, and it is my new favorite thing in the Marvel Universe. That is all.

Green Valley #9 (Max Landis, Giuseppe Camuncoli, Cliff Rathburn, Jean-Francois Beaulieu, Pat Brosseau-Image): The exploits of the Knights of Kelodia come to an end in this oversized final issue, and it’s a surprisingly happy end for our heroes, having overcome a time-travelling criminal from the future and his pet dinosaurs. I’m eager to see more from everyone involved with this title. It was a beautifully constructed little crowd pleaser.

Bug! The Adventures of Forager #2 (Lee Allred, Michael Allred, Laura Allred, Nate Piekos of Blambot-DC/Young Animal): The Allred family are unique in the comics world for many reasons, but after reading another issue of Bug! two things stand out most to me: They have a genuine reverence for the classics, and they communicate that love with a carefree, adventurous spirit that you can’t help but smile at. If I didn’t hate garbage words like ‘wholesome’ so much, I’d use it to describe this. It’s fun but never too cheesy. It’s like your dad showing you his comic collection, if your dad had a brief flirtation with psychedelics and a proper love of Jack Kirby. Set in World War Two, this month’s journey has appearances from The Losers, Sandman, Blue Beetle, and lots of abominable snowmen.

Bitch Planet Triple Feature #1 (Cheryl Lynn Eaton, Maria Fröhlich, Andrew Aydin, Joanna Estep, Conley Lyons, Craig Yeung, Marco D’Alfonso-Image): One thing I believe that we need a lot more of in comics are rebellious political voices. I mean that. Kelly Sue DeConnick and Valentine De Landro’s Bitch Planet has been leading the charge, telling the story of a prison planet exclusively for women who will not submit to the will of men, and doing it with a middle finger planted firmly in your face the whole time. The Triple Feature lets some other creative teams add to this world, showing what perceived transgressions can get a woman, in an already bad set of circumstances, with the deck stacked against her, arrested, banished, and confined. Each tale is disturbingly familiar, but ends in a defiant awakening for the main character. And just like in the core title, there are some really thought-provoking essays included at the end.

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Moving on to the current week. It just MIGHT be my favorite of 2017 so far. It was a magical rainbow of genre, tone, and nudity, like a swinger party sponsored by Skittles. Now that that awkward simile is out of my system, let’s take a look at the highlights.

Shirtless Bear-Fighter #1 (Jody Leheup, Sebastian Girner, Nil Vendrell, Mike Spicer, Dave Lanphear-Image): The following sentence is entirely true: This comic book is about a man with a huge dong who loves flapjacks and punching bears. If that doesn’t sell you on the book, I don’t think anything will. Inspired lunacy in the spirit of recent Image greats like Chew and God Hates Astronauts.

Nick Fury #3 (James Robinson, Aco, Hugo Petrus, Rachelle Rosenberg, Travis Lanham-Marvel): This book is an absolute work of art. I obsessively study each issue, because they are a perfect storm of story and art, form and flash. It’s a straightforward spy thriller at its core, but that simple framework allows the penciller, inker, and colorist to craft a mesmerizing sensory overload on each page. It’s bold, and it’s enchanting, like the man himself.

Royal City #4 (Jeff Lemire, Steve Wands-Image): This was a gut punch right in the feels. If you too are a struggling creative person who bailed on your hometown as soon as you possibly could, and are now staring down the barrel of forty, trying to formulate a plan for your third act, you will probably weep like a baby after reading this.

God Country #6 (Donny Cates, Geoff Shaw, Jason Wordie, Dee Cunniffe, John J. Hill-Image): Speaking of crying, in this final issue Donny Cates and company totally stick the landing in this tale of fathers and sons and giant magic swords. It beautifully conveys how precious and brief human lives are, and how they transcend and become immortal through story and memory, though not in a saccharine way. These characters are Texas boys, after all.

The Mighty Thor #20 (Jason Aaron, Russell Dauterman, Matthew Wilson, Valerio Schiti, Veronica Gandini, VC’s Joe Sabino-Marvel): Now let’s stop being mopey and move on to– ah crap, time for more crying. SPOILERS Jane, trying to explain herself to the Odinson, collapses on the ground, possibly succumbing at last to her cancer, and it occurs just as the realm of Nidavellir is attacked, with Muspelheim Firefly Riders burning a camp of elf refugees. Volstagg of the Warriors Three has children with him during the attack, and they die in his arms. In a daze, he goes to Old Asgard and discovers the hammer of Ultimate Thor, calling to him. Ladies and gentlemen, we have a new War Thor. SHIT IS ON.

Plastic #3 (Doug Wagner, Daniel Hillyard, Laura Martin, Ed Dukeshire-Image): Okay, we need to have a brief discussion about this book, since we’re in Downerland at the moment. I think it may have crossed a line. I know how that sounds. It is, after all, a book about a guy brutally killing others who have wronged his sex doll. But wow, there is some absolutely repugnant sexual assault in this issue. And while the woman involved survives it, and even asks to join Edwyn on his bloody quest for revenge, it just feels like too much. It feels lurid, and too easily dismissed. If you’ve read it too and want to exchange notes, please do so, because this one really bugs me.

Crosswind #1 (Cat Staggs, Gail Simone, Simon Bowland-Image): And that brings us to Gail Simone’s newest book, in what I’m ashamed to say is my worst segue ever. It too involves a woman who, while not physically attacked, is harassed and belittled to the point where it will fill you with rage just reading about it. But then the twist hits, and you get the suspicion that all this is building to what can only be described as Grade A motherfucking comeuppance. SPOILERS It would appear that this browbeaten housewife has just switched bodies with a man so stone cold that he shot his childhood friend dead just to keep his boss happy. It’s the ‘Freaky Friday’ body swap trope, but I’m completely confident that there’s much more in store than just a couple of fish out of water.

Peter Parker: The Spectacular Spider-Man #1 (Chip Zdarsky, Adam Kubert, Jordie Bellaire-Marvel): Let’s end back on a fun and silly note, shall we? Cool. So even if you only possess a passing knowledge of modern Marvel comics, you know that there are a buttload of Spider-People running around, including multiple versions of Spider-Man. Among them of course is the original Peter Parker, primarily over in The Amazing Spider-Man. That’s where all the drama happens, and that’s fine, but too often it feels like something is missing. That something is Spidey’s trademark wisecracks, quips, and put downs. Where did they go? Fear not, because Chip Zdarsky is here with a new Spectacular title, chock full of web-swinging and joke-slinging, and plenty of verbal and physical sparring with folks like The Human Torch, Ant-Man, and Ironheart. It’s goofy and gleeful, and I suspect it is exactly what folks will be looking for after going to see Homecoming next month.

Okay, it’s time for me to shoosh my face and get some sleep. Thanks for reading comics, and for reading this. Feel free to comment, share, and follow me on various social media spots at the links below. Don’t forget to support your local shops, be good, and I’ll see you crazy kids in seven.

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The Stack-4/19/17

In new books, rants, reviews on April 20, 2017 at 11:16 am

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This week in comics: Event season approaches (so that we can all complain about fatigue instead of just, I don’t know, NOT BUYING THOSE BOOKS), Warren Ellis hits us with his writing stick twice in one week, and Image launches some dark number ones (that Garth Ennis kind of dark). But first, I need to clear something up in the new Cave Carson, since it’s all pixelated out:

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Really? You’re going to censor some wang? In a MATURE READERS book? Can we please get past this Puritanical fear of nudity, particularly the double standard of male nudity?

This was a monster Wednesday, not just in terms of quantity, but also quality. I cannot remember the last time I tore through a stack with such ecstatic abandon AND felt so satisfied at the conclusion. This is the week that you should take your family member or friend who is on the fence about comics to your local shop, give them the grand tour, put a floppy in their hands that aligns with their interests, and expand our ranks with fresh blood gently coax them into a lifelong love affair with the medium.

Injection #12 (Warren Ellis, Declan Shalvey, Jordie Bellaire, Fonografiks-Image): The mighty Warren Ellis has a unique skill set in the world of comics, and this is one of those titles where he employs every last razor-sharp tool in his kit. There’s a big, mad idea, wrapped in a teased-out mystery, populated with haggard reimagined archetypes who do not suffer fools gladly, demanding sandwiches and spitting cruel, dry humor as they get down to the business of crafting the future. Brigid Roth is investigating a bizarre stone ring out on a Cornish moor, and its link to the faery world. In this issue there is a genuinely creepy exchange between her and a local professor, as well as a jar containing what could be the sorcerous penis of Rasputin. Enjoy.

The Wild Storm #3 (Warren Ellis, Jon Davis-Hunt, Steve Buccellato, Simon Bowland-DC): There’s a wonderful synergy that can be achieved between the typically dichotomous. You can go on about theoretical science and corporate espionage, and still get in action sequences that blow your damn doors off, and Ellis has been able to achieve this when paired with artists up to the challenge, giants like John Cassaday, Bryan Hitch, and now Jon Davis-Hunt (fresh off of the sadly cancelled Clean Room). Things go boom and ratatattat, but we also get a brilliant four page sequence (featuring a much beloved character from Authority) showing a curious young woman apparently traveling from place to place via electronic screens on devices like phones and billboards. I love the way Ellis is weaving together his version of the Wildstorm universe, and these twenty four issues will go by way too fast.

Letter 44 #32 (Charles Soule, Langdon Foss, Dan Jackson, Crank!-Oni Press): Telling a story about alien life is an enormously difficult task, which I suppose is why so many stories just make them essentially humans that are a different color or part insect or something. Charles Soule is up to the challenge of making his visitors something beyond that in Letter 44: tentacled, featureless beings responsible for entire galaxies of techno-organic creation, with behavior, drives, and hubris that is immediately recognizable, so that we may see just enough of ourselves in them to empathize with their plight. We finally see the event that led to everything in this series, crafted with such mind-melting detail and color that I truly believe that this issue needs some awards heaped upon it.

God Country #4 (Donny Cates, Geoff Shaw, Jason Wordie, John J. Hill-Image): Emmett has taken his huge talking sword and charged into an aspect of Hell in order to rescue his granddaughter from Balegrim, a powerful being who wants the sword returned to his father. Meanwhile, his son and his daughter-in-law, besieged by the undead, have the kind of argument about faith you can only have when confronted with the impossible. This book is raw emotion and southern swagger, and it is going to not only put Donny Cates on the map, it is going to add a new country to it, adjacent to Jason Aaron’s, I would think.

Redneck #1 (Donny Cates, Lisandro Estherren, Dee Cunniffe, Joe Sabrino-Image): It’s a Donny Cates double feature! What we have here is a family of restless vampires, laying low on the outskirts of an east Texas town, doing a poor job of avoiding getting hunted by the local god-fearing populace. What really made this stand out, apart from Lisandro Estherren’s gritty, brooding artwork, is the turn it takes at the end, communicating the panic one experiences when they get blind drunk and wake to discover that they have torn their life down, and have no recollection of it whatsoever. This one is going to be quite a ride.

Black Hammer #8 (Jeff Lemire, Dean Ormston, Dave Stewart, Todd Klein-Dark Horse): This issue is just jam-packed with tragedy. There are lots of folks out there who are fond of the whole ‘comics will break your heart’ quote, and this right here is a prime example of a story doing just that (though that old chestnut is more about things like creators getting shit on, and how stigmatized the medium is, even to this day). Gail continues to reflect and break down, Lucy investigates the mystery around the town of Rockwood, Mark continues his flirtations, and the ending . . . HOLY SHIT the ending.

Plastic #1 (Doug Wagner, Daniel Hillyard, Laura Martin, Ed Dukeshire-Image): Sometimes a comic comes along and immediately achieves a certain infamy. You will lend it to your friends as a dare, something to test their limits and talk about later. This is one of those comics. It is SO fucked up. If you too are attracted to things of that sort, I highly recommend getting a copy.

Invincible Iron Man #6 (Brian Michael Bendis, Stefano Caselli, Marte Gracia, VC’s Clayton Cowles-Marvel): Perhaps up to this point you’re still not sure if you are interested in Riri Williams, the super-genius teen who is stepping into Tony Stark’s rocket-powered shoes. I’ll tell you right now, after this issue, you will adore her. You know, unless you’re some hateful, stuck-in-the-past grognard. The way she views Tony’s collection of armor with total fangirl reverence, her banter with everyone around her, her desire to genuinely do good in the world . . . if you don’t connect with that, why the hell are you reading superhero comics in the first place? Also in this issue: The Bendis finally addresses what is to become of Latveria now that Doom has abandoned it, and the Champions make an offer.

Royal City #2 (Jeff Lemire, Steve Wands-Image): Apparently it’s the Warren Ellis, Donny Cates, AND Jeff Lemire double feature this week! Getting back to recommending books to people you know-If someone in your life is addicted to TV dramas, THIS is the book you give them. There’s tons of family tension, a crumbling marriage, debt to local criminals that gets someone roughed up, dealing with middle age and burnout, and just a hint of metaphysical mystery to chew on and speculate about. AND a mixtape list, for all us aging hipsters, as well as the fact that it’s only on issue two, and thus easy to catch up on.

Fighting the ol’ OCD beast can be a challenge for most comic book readers, but it’s a fight worth participating in, and I’ll gladly tell you why, free of charge.

In this blog I have a tendency to dump all over collectors, and collectibles. My point of view is simple: Comic books are an interactive storytelling experience, so to merely regard them as art objects or sources of revenue is crass and hurtful. To attain things merely to attain them, to just engage in an empty Capitalist ritual, is no way to live one’s life. Don’t just give in to being a completionist. Don’t fill in a run of books just to have a complete run. If you don’t like where a story is going, or what is happening to the characters, or you feel that the current roster of creators are a bunch of hacks, then just STOP BUYING THAT BOOK. Fight the urge. Send a clearer impression to your local retailers and the publishers. You vote with your dollar. There’s a giant pool of talent and ideas out there, and our comics should be good ones, so support those that are, and help give the axe to those that are lacking.

I bring this up again and again not only because I constantly see these bad habits, or because people tend to talk a good game about improving the comic book landscape but then let great works die from poor sales, but also because it’s event time again. This week saw the release of Marvel’s Secret Empire #0, and the Batman/Flash Watchmen button crossover with its (FACEPALM) lenticular variant cover, and there’s more stuff like this in the pipe. Now I’ve read these, and actually enjoyed them, but they aren’t essential. Fans love to whine and bitch about ‘event fatigue’, but no one is making you participate. We know the deal by now: There will be core books and spin-offs and crossovers, all built around some neat idea that cannot possibly be sustained throughout this many titles. If you’re not interested, or if you don’t want to move outside of your current list of weeklies, then don’t feel pressured to buy them. Simple. Writers have become quite adept at the unenviable and difficult task of writing a story that stays within its own borders while also massaging in the event material. You’ll be just fine, I assure you.

Well, that’s all for now. Feel free to share my ramblings with others, comment and share your picks, and as always, thank you for reading, and for reading this. Be good, support your local brick and mortar shops, and I’ll see you in seven.

The Stack-2/15/17

In new books on February 16, 2017 at 8:06 pm

I’ll keep the opening banter to a minimum this week, since I’ll be making another post right after this one that will tie into what I want to discuss, and it will hopefully make up for the lack of anything on Sunday.

Wednesday was a deluge of goodness. If you didn’t visit your local shop yet, get off yer rump and fix that situation posthaste. Behold, nerdy mortals:

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God Country #2 (Donny Cates, Geoff Shaw, Jason Wordie, John J. Hill, Gerardo Zaffino-Image): Emmett was an old man suffering through Alzheimer’s, and then for some reason a magic god-forged sword from beyond Earth chose him to wield it so that he might slice up demons. Its former owner and his father aren’t too pleased about this, so it’s time to parley while Emmett comes to terms with the fact that this weapon has returned his memories and life to him. This book is a spiritual successor of sorts to the amazing 2008 Luna Brothers series The Sword. Unintentionally, I’m sure, but the similarities are there. Regardless, this cosmic-mysteries-by-way-of-real-world-Texas-grit yarn is one of the best new books out there.

The Wild Storm #1 (Warren Ellis, Jon Davis-Hunt, Ivan Plascencia, Simon Bowland, Tula Lotay, Jim Lee, Scott Williams, Alex Sinclair-DC): Jim Lee’s Wildstorm universe was a thoroughly 90s superhero concept that made its way from the early Image days to DC Comics. Full of black ops teams, conspiracy theories, and genre action, it really didn’t pop until a Red Bull-swilling, cane-swinging Brit by the name of Warren Ellis got to make his mark on it. With StormWatch, and later The Authority, these ideas soared to glorious new places, with a swagger all their own and page-consuming fight scenes. This latest iteration goes a bit more street-level on the surface, but even darker and more devious below that. It’s going to be one hell of a twenty-four issue ride.

The Mighty Thor #16 (Jason Aaron, Russell Dauterman, Matthew Wilson, VC’s Joe Sabino, Joe Jusko-Marvel): Thor, right in the middle of Malekith’s war, has been whisked away beyond the edges of space to the place where the Shi’ar gods reside, and they have decided to challenge her to determine who is mightier. To these vicious celestials it’s all a game where mortal lives mean nothing, and Thor does not approve. In fact, she’s going to show these tyrants up by simply being her awesome, benevolent (at least as benevolent as a hammer-wielding superhuman can be) self. Meanwhile, in the Congress of Worlds, Volstagg filibusters by talking about his favorite foods.

Animosity #5 (Marguerite Bennett, Rafael De Latorre, Rob Schwager, Marshall Dillon, Marcelo Maiolo, Mike Rooth-Aftershock): Another fantastic comic that puts the thesis statement of the whole series in one beautifully-executed page! The whole conflict is right there on page one of this issue, as two shrimps who have been sent as emissaries for their kind head to the surface world to speak with the rest of the animals who have been suddenly given human-level consciousness and the power of speech. They wonder what other forms of life have been given these gifts, and if they are just too far down the chain to be taken seriously by larger forms of life. And then a whale eats them. Yep. There’s also goat drama, a big human event, and possibly a dragon attack…?

Unfollow #16 (Rob Williams, Mike Dowling, Quinton Winter, Clem Robins, Matt Taylor-DC/Vertigo): It’s time for the big showdown. Ferrell has revealed that he’s still alive, and he’s given the survivors of his experiment his coordinates in Venezuela. So they’ve hopped on a few helicopters to confront–Oh, he has shot them out of the sky with missiles. I know. Spoilers. But it seems like many of them are still alive. So there’s that. Back in the States, the FBI is trying to shut down the Global Church of Akira, which is more than up to the challenge, what with all the tax-free money they’ve accumulated and the MANY social media followers they’ve amassed. And then, the most thoroughly modern of disasters occurs, which put a big grin on my face. This one I won’t spoil.

There were so many other great books this week, including (brace yourselves) a Rebirth title–Batwoman! What made top of the pile for YOU? Feel free to comment. Seriously. You can. Just try it. It’ll be fun. Comments SHOULD be enabled. I think.

The Stack-1/11/17

In new books on January 11, 2017 at 11:27 pm

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Ah, now THIS is more like it. This week had something for everyone: comics based on your favorite movies, comics based on your favorite 80s cartoons, comics based on your favorite 80s vampire films, comics based on your favorite TV shows about biker gangs or time traveling British people, and that thing where, for some unholy reason, the Justice League met the Power Rangers. Then there’s the crap that I like:

Shipwreck #3 (Warren Ellis, Phil Hester, Eric Gapstur, Mark Englert, Marshall Dillon-Aftershock): Warren Ellis has always been a writer drawn to big ideas. It’s just that he’s drawn to the disturbing and revolutionary and ahead-of-the-curve ones. He flirts with the fringes, something alien gets stuck in his craw, and then he uses his words to explore and ultimately beat it into submission. This title is no exception. For two issues it was just draped in more mystery than we’re used to. But now the picture is getting clearer, and it involves developing the technology to move humanity into another dimension, before the Earth farts and annihilates every last trace of how cool we are. And clear or no, that picture is stunning thanks to the artists working on this book. Lines are stark and jagged, and colors carefully chosen, nearly monochromatic palettes.

Southern Bastards #16 (Jason Aaron, Jason Latour, Jared K. Fletcher-Image): Goddamn I love this comic. And I’m not from the south, and I’m not a football fan. THAT’S how good it is. The Jasons are pulling some serious Game of Thrones shit here with Coach Boss, and I’m eating it up like it’s slathered in red-eye gravy. It would have been so easy to just have someone like Roberta Tubb beat his skull in, but watching him and his team lose game after game, even after doing some truly heinous things in order to cheat, is so much more satisfying. And there is now a character who looks like Burt Reynolds, talks like Foghorn Leghorn, and owns a monkey… so there’s THAT. In addition, this is the issue with the anti-harassment variant created to raise money for the Southern Poverty Law Center and the ACLU, and I will gladly throw money at anything which goes to a good cause AND gives the finger to bullies.

God Country #1 (Donny Cates, Geoff Shaw, Jason Wordie, John J. Hill-Image): Now THIS is a juxtaposition that I very much enjoy: the heartbreaking tragedy of dementia, thwarted by a huge magic sword spit out of a freak tornado. The two parts of this tale are handled so well that they actually feel natural together. You feel the pain that the Quinlans are going through, and you also have a deep desire to see Emmett kill lots of evil things with his absurd Final Fantasy-esque blade. I’m really digging Geoff Shaw’s art, too. It’s got pinches of R.M. Guéra and Nate Powell in it, which is a very good thing, indeed.

The Unbeatable Squirrel Girl #16 (Ryan North, Will Murray, Erica Henderson, Rico Renzi, Travis Lanham-Marvel): This is the super-silly and cute corner of the Marvel universe, and I realize that it’s either your thing or it isn’t, but if it isn’t it really SHOULD be. I mean, WHY DO YOU HATE FUN?! Anyway, this issue celebrates Doreen’s 25th anniversary in comics, and gives another glimpse into her early years. Monkey Joe expresses his love of peanut butter. Hulk acts like a big grumpy ingrate. Loki is exactly the sort of gift-giver that you’d expect. Then it all wraps up in true Marvel fashion, with a post-letters page sequence to tease amazing things to come. I’m glad comics has characters like this, characters who can poke some fun at superheroes and still be inspiring and not just be another version of stupid Deadpool.

That’s all for now. Please feel free to share your favorites in the comments section, and I’ll be dropping Part Two of my art-related recommendations in a few days. Support your local comic shop!