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Posts Tagged ‘The Wicked + The Divine’

The Stack-5/17+5/10 & FCBD

In new books, rants, reviews on May 19, 2017 at 12:12 am

It’s been a whole damn month, but I’m back, I’m tipsy, and I have OH so much to share with you from Free Comic Book Day up to this week’s picks. Strap on your crash helmets and pull up your Gallagher (TM) brand plastic tarps, and let’s get messy.

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That other week in comics: Holy shitballs Free Comic Book Day was awesome, the Allred clan serves up some quality quirk, and I continue smooching Image’s butt like they’re sending me original pages from The Maxx. But first, let us pay our respects to a tragically co-opted character:

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You’re in a better place now. One where Richard Spencer can’t get you.

Here comes the Free Comic Book Lightning Round!

Secret Empire/Peter Parker: The Spectacular Spider-Man (Nick Spencer, Andrea Sorrentino, VC’s Travis Lanham, Chip Zdarsky, Paulo Siqueira, Walden Wong, Cam Smith, Jay Leisten, Frank D’Armata-Marvel): The book’s first half, with haunting, gorgeously designed visuals, will no doubt split readers into two camps: those who think Nick Spencer and Marvel are trolling them, and those who come away with the realization that Mjolnir’s most terrifying aspect (and this has been beautifully extrapolated upon courtesy of Jason Aaron and the various Thor books of the last few years) is that ironclad conviction can be perceived as worthiness, and thus leads both good AND evil to power. But enough of that heavy stuff. Let’s talk about how Chip Zdarsky was born to write Peter Parker, and how this book’s Vulture zingers are the proof of that. Love the bold kineticism from the art team, too. There, we talked about it.

I Hate Image (Skottie Young, Jean-Francois Beaulieu, Nate Piekos-Image): Gert from I Hate Fairyland goes on a murderous rampage through Bitch Planet, Saga, The Walking Dead, Spawn, Paper Girls, and more, poking fun along the way. It is the greatest and I love it. I love it into little bitty widdle pieces.

X-O Manowar/Secret Weapons/Bloodshot Salvation (Matt Kindt, Cafu, Andrew Dalhouse, Dave Sharpe, Eric Heisserer, Raúl Allén, Patricia Martín, David Lafuente, Jeff Lemire, Juan José Ryp, Simon Bowland-Valiant): Like the whole Valiant line in general, not a bad one in the bunch, whether it’s watching a barbarian stab aliens, a young woman talk to birds, or nanites trying to understand human memories.

Boom! Studios 2017 Summer Blast (David Petersen, Sam Sykes, Selina Espiritu, Sarah Stern, Jim Campbell, Liz Prince, Amanda Kirk, Hannah Fisher-Boom!): All ages fun galore, from the always-amazing fantasy adventure of Mouse Guard to the manga-inspired culinary silliness of Brave Chef Brianna to the musical, Wawa hoagie-worshipping high jinks of Coady and the Creepies.

Big Brass Balls Award 2017 goes to:

Spongebob Freestyle Funnies, for dropping some truth about our dysfunctional relationship with Diamond Distribution. Savage.

Moving on to the picks of last week:

Bug! The Adventures of Forager #1 (Lee Allred, Michael Allred, Laura Allred, Nate Piekos-DC Young Animal): So this is what happens when the zany creator of classics like Madman gets his whole family involved with cherished characters from the mind of the one and only Jack Kirby. You get trippy dream worlds, jokes about Camus, all kinds of pop culture references, and the sort of high-energy heroics that are worthy of the source material. Young Animal does it again. Two antennae up.

The Fix #9 (Nick Spencer, Steve Lieber, Ryan Hill, Ironbark-Image): This comic consistently makes me literally (yes, I’m using it correctly here; If you mean figuratively, then fucking SAY figuratively) laugh out loud, and that is something that few books can do. Johnny the Homicidal Maniac did it. Dork did it. Now this does. There’s meth jokes and granny innuendo jokes and Hollywood jokes and BDSM jokes and it all lands every time. Oh, and there’s a cute dog. So you can always buy it for that.

Regression #1 (Cullen Bunn, Danny Luckert, Marie Enger-Image): I needed some more gross-out horror in my life. No, wait, that isn’t true at all. I don’t need it. I just like it. Because of chemical imbalances and an adolescence spent watching Troma films. Anyway, Regression delivers on that end, delving into the creepy world of hypnotherapy and past lives, and doing so with an art team that can deftly juxtapose bros at a cookout with bugs shooting out of corpses. Grab the popcorn!

Shade the Changing Girl #8 (Cecil Castellucci, Marley Zarcone, Ande Parks, Kelly Fitzpatrick, Saida Temofonte-DC Young Animal): The soul of an alien poet, set loose among the grimdark bustle of Gotham. This creative team has done something truly special, and they have more than earned the right to continue the Shade story. This is something that we’ll all be coming back to decipher, years down the road. It’s your teenage shadow talking to you, through that wild place inside that you rarely visit anymore.

Black Cloud #2 (Jason Latour, Ivan Brandon, Greg Hinkle, Matt Wilson, Dee Cunniffe, Aditya Bidikar-Image): There was some blowback on the first issue of this one, with cries of ‘too impenetrable’ rising above the usual critical din. Me, I love a good mystery, and I especially love when a story unfolds organically, without a visit from the condescending Exposition Fairy. This issue drops lots of hints through the dialogue, like the characters don’t even care that there’s an audience present, trying desperately to piece together their dilemma. I like that. Your mileage may vary. Bonus points for mocking Trump’s stupid red MAGA hats.

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Now then, THIS week in comics: Marvel cements those new legacy characters in place with feels, DC finally gives us some follow through on Geoff Johns and his nutty Watchmen idea, and #teammargaret gets a big old PLOT TWIST (cue air horn). But first, I just want to give a shout to my main man Rahzzah, who has two new and kick-ass covers out this week:

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Invincible Iron Man #7 (Brian Michael Bendis, Stefano Caselli, Marte Gracia, VC’s Clayton Cowles-Marvel): At last the cold, hard truth gets addressed: Riri is a kid, and has nearly zero experience fighting super villains. Her mind is elsewhere when she runs into Will O’ The Wisp, and she gets knocked out, saved only by the swift intervention of the Tony Stark AI. Now please understand, I love this book, but I’m hoping we soon see one of the supporting characters step in and just say what we’re all thinking: It is GROSSLY negligent to let this young woman act as Iron Man. Genius-level intellect is great, but it won’t help much when the punching starts. She has her whole life ahead of her, and Secret Empire is right up in her grill, and it won’t end well without better planning and a LOT more training. Do it, Bendis.

The Wild Storm #4 (Warren Ellis, Jon Davis-Hunt, Steve Buccellato, Simon Bowland-DC): Sure, there’s a lot going on in this issue, what with all the Covert Action Team stuff and the shooty and the boom-boom. But let’s fast-forward to Weatherman. He arrives on his space station and proceeds to dress down every subordinate within earshot, and it is just Ellis at his cranky best. The banter between he and Ms. Pennington is reminiscent of Spider Jerusalem and his ‘filthy assistants’ from the deservedly praised Transmetropolitan. And the art is just goddamn majestic. This crew makes the man-made downright picturesque.

Curse Words #5 (Charles Soule, Ryan Browne, Michael Garland, Michael Parkinson, Chris Crank-Image): Here we go. Wizord versus Ruby Stitch. The battle rages over Las Vegas, and our hero taps into the power of luck to recharge the magical batteries, so that he can. . . um. . . SPOILERS animate a fake Eiffel Tower. Yeah. That goes about as well as you’re thinking. Meanwhile, in flashback, we discover the scandalous truth about Margaret: she’s the daughter of these two, and for some reason none of them recall this fact. Ruby relents when Wizord concedes, and Sizzajee cuts her loose. So much drama! In pretty much unrelated news, the awesome Van Tour for this comic will NOT be coming to my shop, and it makes me incredibly sad. If you’re near any of the stops this Summer, do yourself a favor and check it out. It will be magical and beardy!

The Unbeatable Squirrel Girl #20 (Ryan North, Erica Henderson, Rico Renzi, Travis Lanham-Marvel): So Melissa Morbeck has devices that allow her to control animals, and is using them to frame Colleen while also framing Doctor Doom. It’s a villain scheme, so naturally it’s unnecessarily complex and therefore full of opportunities for thwarting. Guess what? That is exactly what happens. You knew that was going to happen, but think of how much we learned along the way. We found out that freshwater snail parasites kill a LOT of people, that there is a squirrel in New York named Li’l Busta, that helicopters are super noisy, and that EMPs make sounds when required by the drama of a story. Beat THAT, Bill Nye!

The Wicked + The Divine 455 (Kieron Gillen, André Araújo, Matthew Wilson, Clayton Cowles, Dee Cunniffe-Image): Kieron asks a lot of his audience. You have to know all this stuff about gods and mythology, and then all this other stuff about pop stars and usually some obscure Britpop junk, and NOW he wants you to recall your Roman history. Jeez, dude. Remember Julius Caesar? Well, according to the conceit of this comic, he’s actually Lucifer, and he wants nothing less than to deny his destiny and be the Emperor of Rome. It does not end well for him. Don’t worry, Ananke will fix it, and keep the history books just the way we remember them. You know, IF we had read them, and not doodled phalluses in them instead.

Quick news update: This November, DC is going to release Doomsday Clock, which will tell the story that Geoff Johns initially envisioned about the role that the Watchmen play in this newly reborn universe. If it is true that it is stand-alone, was inspired by the current zeitgeist, and gives us more than the recent lenticular Flashfest known as ‘The Button’ did, then I’ll gladly pick it up. Though it’s Alan Moore blasphemy of the highest order, I’m curious to see what Johns has in mind, and what it says about the ‘grim and gritty’ era finally meeting its maker at this particular publisher. To be continued.

Well, I hope that somewhat made up for my extended absence. As always, thank you for reading, and for reading this blog. You can follow my silly ass on Twitter at @rabbit11comics , and on Instagram at rabbit11comics. Feel free to comment and share, be sure to support your local shops, be good, and I’ll see you in seven.

No, seriously. This will be weekly again.

 

 

The Stack-4/12/17

In new books, rants, reviews on April 13, 2017 at 1:45 pm

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This week in comics: Science Fiction front and center, Nick Spencer has the American milieu on speed dial, and the bizarre controversy around X-Men Gold #1. But first, one of many reasons I adore Valiant Comics:

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Not only does the comic sound cool, but you have to do two very important things to acquire it: ruin the book this coupon is in, and take it to your local shop. Thanks for driving business to brick and mortar, and for driving collectors insane.

The genre of Science Fiction is stronger than ever, especially in comics, which I largely attribute to a notable handful of visionaries like Warren Ellis, Rick Remender, and the folks at Image, and if that’s your bag then this week was a treat. Some kind of alien treat, served in a space ship. There was sports Sci-Fi (Motor Crush), Fantasy/Sci-Fi twist (Green Valley AND Seven to Eternity), Western/Sci-Fi (Copperhead), and also . . .

Redline #2 (Neal Holman, Clayton McCormack, Kelly Fitzpatrick, Crank!-Oni Press): Redline is probably most accurately described as MILITARY Sci-Fi. The point of view is from the troops on the ground on Mars, caught between corporate warmongers and a mysterious race of aliens. The humor is gloriously inappropriate, the kind of detached and lovingly insulting bonding that you tend to encounter in high-stress situations. Suicide bombers, wild hallucinations, shootouts in strip clubs, or brushes with alien life: It all gets treated with off-color zingers and dick jokes, which does a highly entertaining job of grounding the unbelievable in the unseemly. It’s so good.

Immortal Brothers: The Tale of the Green Knight #1 (Fred Van Lente, Cary Nord, Clayton Henry, Mark Morales, Brian Reber-Valiant): A one-shot about Gilad, Ivar, and Aram, and their version of the events of the Arthurian tale of Sir Gawain and the Green Knight? Oh HELL YES. Faith, of the Harbinger Renegades, is sick in bed, and Archer decides to tell her the story, as Armstrong told it to him, all Princess Bride-style. Heads get lopped, squires get acquired, and the truth about Morgan Le Fey and the Lady of the Lake is uncovered. It’s so well done that you can enjoy this book without any knowledge of the Valiant universe. If that’s the case, you might soon find yourself snapping up back issues of Archer & Armstrong, Faith, and Wrath of the Eternal Warrior, just FYI.

The Unbeatable Squirrel-Girl #19 (Ryan North, Erica Henderson, Rico Renzi, Travis Lanham-Marvel): Doreen is facing down her worst nightmare: A REALLY long villain monologue. It turns out that SPOILERS Melissa Morbeck, who was previously seen as a friend and benefactor, is a big-time baddie, and has been reverse engineering tech that will allow her to control nearly every animal that has come into human contact on Earth. To what end? To rule, and to blame it all on Doctor Doom, since that name carries more weight in the grand scheme of evil things. Can she, Koi Boi, Chipmunk Hunk, and Nancy save the day? Will her new suspicions ruin her friendship with Howard the Duck? Will things work out for Alfredo the Chicken? Read the issue, snort-laugh your butt off, and find out!

The Wicked + The Divine #28 (Kieron Gillen, Jamie McKelvie, Matthew Wilson, Clayton Cowles, Dee Cunniffe-Image): A Great Darkness approaches mankind, and the one force that can stop it, a pantheon of gods reborn into the bodies of various young people, is too busy being assholes to bother. Some are digging up dirt, some are getting their party and orgy on, some are enduring abuse, and some are busy murdering. In a flashback, the one who sought to manipulate these deities is literally weeping for the future. This issue, oddly enough, shares a common thread with the recent Marvel works of Jason Aaron: Gods are in fact not far removed from us, and thus are capable of sucking just as hard as we can.

Godshaper #1 (Simon Spurrier, Jonas Goonface, Colin Bell-Boom! Studios): Speaking of gods, there was a brilliant new entry from Boom this week, all about an alternate version of our world where physics misbehaved, and resulted in human beings getting personal gods do their bidding in exchange for worship. The wrinkle is that not everyone got a god, but instead the ability to manipulate these gods, changing their appearance and power sets. Ennay, a wandering musician, is one of these ‘Godshapers’, and is about to get involved in the shady dealings lurking beneath the latest midwestern shithole he’s journeyed into. There’s nothing out there quite like this comic, a sexy amalgam of Pokemon, Rockabilly, and hobo culture, illustrated with colorful abandon by Jonas Goonface. I highly recommend giving it a read.

Captain America: Sam Wilson #21 (Nick Spencer, Daniel Acuña, Rachelle Rosenberg, VC’s Joe Caramagna-Marvel): SPOILERS Here we are. After twenty issues, Sam has made a decision, informed by everything he’s been through, including the fact that Rage was recently put into a coma for daring to stand up to both the Americops and his criminal past. He’s moving on, returning to his life as Falcon, and passing the shield back to Steve Rogers. If all of this was planned in detail by Nick Spencer, then that cements him as one of the best writers in comics as far as I’m concerned. He’s done nothing less than tell one of the most timely and compelling stories about superhero legacy ever. He has taken the character on a journey that examined race, politics, fandom, and abuse of power, and for as sad as this ending is, and knowing just how bad it’s about to get in the big Secret Empire event, it feels like this is exactly how it needed to happen. Sam needed to feel the shadow of Cap and the disapproval of those fans, he needed to be true to himself and pay a huge price for it, and most importantly, he needed to decide to fight on despite the weight of the world crushing him and those closest to him. This is who he is, and he’s going to do what he thinks is right on his own terms again. No matter how hard he tried, he was never going to fill those boots, but it didn’t stop him from actually trying, and it didn’t stop him from inspiring people along the way. The tragically ironic thing is that those actions make him more worthy of being Captain America than the current version of Steve Rogers, but the extremely vocal opposition will not have it. That’s the world that we and these characters live in now, but if we refuse to give up, it CAN and WILL change.

Moving on, I suppose I should touch on the controversy of the week, involving X-Men Gold #1. The short version is that comics artist Ardian Syaf put references to the Indonesian interpretation of the Quran in the issue, and that these references allude to religious hatred and the current political climate in that area. It was a foolish, self-serving thing to do, and it cost him a career that many of us only dream about. For more in-depth information, I suggest checking out the Tumblr of G. Willow Wilson, writer of books like Ms. Marvel, which can be found here.

Then there’s the after-effects that this little fiasco has caused in the retail and collector’s worlds. I have had my shop’s phone ringing ever since, bombarded with would-be speculators looking to make a buck off of one idiot’s misguided attempts at a statement. The issue is going for upwards of $40 on places like Ebay as I write this, which is a fact that makes me physically ill. That anyone wants to make thirty bucks off of religious animosity is disgusting, and is exactly the kind of bullshit that we do not need. I talk a great deal about how comics are for everyone, and that all are welcome. Let me make an amendment to that. Insensitive scumbags treating it like the nerd stock market can just fuck right off. Speculators, online flippers, unscrupulous retailers and dealers, and anyone else who thinks this is acceptable:

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Allow me to show you the fucking door, amigo.

Thanks for fighting the good fight with me, and thank you for reading comic books. Feel free to share your thoughts and your pulls in the comments. Be good, support your local shops, and I’ll see you in seven.

The Stack-3/8/17

In new books on March 9, 2017 at 8:31 pm

. . . Aaaaaaaaaaand I’m back!

Sorry to all three of my regular readers, but i sorely needed a vacation. Not from comics, mind you, but from day-to-day life in general. Sometimes you lose perspective, and get in a rut so deep that your wheels just spin without purpose, and you angrily kick up mud at everything around you, losing any interest in forward momentum. Yep, according to my lazy-ass metaphor, sometimes you turn into a jeep.

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And you watch helplessly as your leader heroically drives off to his doom.

But now it’s time to get back to the things I love, hopefully with some renewed purpose and enthusiasm. First I’d like to quickly touch on a few of the more noteworthy books I missed in the last two weeks. I feel kind of guilty, taking my already brief one-paragraph nonsense and chopping it into rapid-fire nuggets (I’m capable of long form reviews, I swear), but since I’m not getting paid for this and you’re all probably just skimming it anyway, we’ll zip right past my insecurities and get the hell on with it.

Letter 44 #30 (Charles Soule, Alberto Jiménez Alburquerque, Dan Jackson, Crank!-Oni Press): The human race tries to put on a brave face and go out with some dignity, and we witness the inevitable heroic sacrifice. NO, I’m not crying. There’s something in my eye. Shut up.

Clean Room #16 (Gail Simone, Walter Geovani, Quinton Winter, Todd Klein, Jenny Frison-DC/Vertigo): It’s on like Donkey Kong. Demonic forces have infiltrated our world, and are ready to push humanity over the edge. Astrid and her organization are mobilizing, ready to kick said demonic forces in the taint.

The Old Guard #1 (Greg Rucka, Leandro Fernández, Daniela Miwa, Jodi Wynne-Image): Four weary immortals offer their services as mercenaries and get tricked into revealing their nature. This one’s off to a very promising start.

Savage Things #1 (Justin Jordan, Ibrahim Moustafa, Jordan Boyd, Josh Reed, John Paul Leon-DC/Vertigo): Children with sociopathic traits are recruited by an organization within the United States to be remorseless killers that will be unleashed on the nation’s enemies. What could possibly go wrong?

Royal City #1 (Jeff Lemire, Steve Wands-Image): The story of a dysfunctional family, the city they grew up in, and the loss that has manifested itself in different ways. I love the feel of this comic, and the way Lemire tells its story. I hope it sticks around for the long haul.

DC Rebirth update: I have read a few more titles in this new lineup recently, and I find I’m still not connecting with any of this stuff. At this point I’m honestly not sure if I’m just bringing in weird preconceived notion baggage, or if these books are really just mostly stale and bland throwbacks, but either way it’s not for me. I never want to be one of those people who dismisses a whole publisher’s worth of books for no reason (I still won’t touch Zenescope, who proudly just slap big ol’ titties on public domain fairy tales and call it a day, but I consider that sort of lazy exploitation a good reason), so I’ll still give one a read here and there, but in my opinion the really worthwhile comics in their arsenal are over at Vertigo and Young Animal.

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Redline #1 (Neal Holman, Clayton McCormack, Kelly Fitzpatrick, Crank!-Oni Press): I have no doubt only become MORE persnickety over the years about the execution of narrative, feeling that the HOW of storytelling makes all the difference when it seems like that old chestnut about there only being three (or maybe seven) basic stories is mostly true. So it was exciting to see this Science Fiction story approach its subject matter almost entirely from the point of view of a few US military agents stationed on Mars (ostensibly as a peacekeeping force). The exposition is as much in the repartee and shit-talking between Coyle and his team as it is in the art team’s gritty visuals. It comes across, speaking in the inevitable TV and movie comparisons, like Generation Kill meets Aliens, keeping us as entertained as we are intrigued.

Green Valley #6 (Max Landis, Giuseppe Camuncoli, Cliff Rathburn, Jean-Francois Beaulieu, Pat Brosseau-Image): The issue where Max Landis essentially points out how dumb the plot to Terry Gilliam’s Time Bandits is.

The Wicked + The Divine #27 (Kieron Gillen, Jamie McKelvie, Matthew Wilson, Clayton Cowles, Dee Cunniffe-Image): This issue contains a very interesting experiment using eight-panel pages and color coding on those panels to differentiate scene breaks. I want to see more of this, please. Also, Dionysus tries to battle The Great Darkness with a series of experimental raves, because OF COURSE he does.

Copperhead #11 (Jay Faerber, Drew Moss, Ron Riley, Thomas Mauer, Scott Godlewski-Image): It has returned! Co-creator Scott Godlewski has passed the art torch to Drew Moss for now, who does a great job filling those big, Budroxifinicus-sized shoes. Speaking of everyone’s favorite wiseass, he drops a significant bomb on everyone at the conclusion of this issue.

Jessica Jones #6 (Brian Michael Bendis, Michael Gaydos, Matt Hollingsworth, VC’s Cory Petit, David Mack-Marvel): Man is this issue good! I really don’t know why people give Bendis so much shit–He keeps proving how adept he is at superhero storytelling, whether it’s dialogue, action, or drama, and the end to this first arc showcases that perfectly. AND it starts off with a flashback where Jessica (then known as Jewel) beats down Doctor Octopus and tells him that he has no dick, so there’s that. One of Marvel’s best right now.

I think that about wraps things up for this week. Join me next time, when there will be a new Bitch Planet, Kill or Be Killed, Manifest Destiny, God Country, Head Lopper, Injection, Spider-Man, The Mighty Thor, Ether, Batwoman (Oh yeah, I DID like that one), The Wild Storm, and more! In addition, I feel it’s time to drop a piece about working the retailer side of things, too, so keep an eye out for that.

Thanks for reading, and comment below so I don’t feel so alone in this world!

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And Happy Birthday, Freddie Prinze, Jr.!

The Stack-2/8/17

In new books on February 9, 2017 at 11:16 am

It’s weird out there, folks. Not in a good way. Not in the way that Austin, Texas is known for. Not in the way that club kids or Burners enjoy. No, more like when there’s a black storm on the periphery of your town, and you feel dread in your guts. You know that fucker wants to come for you, and throw tornadoes at the ground, making unidentifiable detritus of everything you know and love. Weird like THAT.

I know, I know. I’m here for comic book reviews, and I just pooped darkness onto this post before it even had a chance to begin. But stay with me. In times like these, you need some solace or you’ll go mad. Here’s where the comics come in. Reading them voraciously, drinking in every beautiful panel–it’s a weekly ritual that helps to keep me from getting too close to the precipice. I don’t COMPLETELY have my head up my ass; obviously the support and love I get from those close to me is the what means the most. But my books, along with the myriad other hobbies I engage in, come in a close second. They connect me to all of these people outside of my immediate sphere, people who have big ideas, and stories to share, and images in their heads that they needed to get onto paper.

Having unburdened myself of that, let’s get to the weekly highlights.

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Green Valley #5 (Max Landis, Giuseppe Camuncoli, Cliff Rathburn, Jean-Francois Beaulieu, Pat Brosseau-Image): This is a comic I’ve been raving about since its first issue, and the primary reason for that is how well it doles out its mysteries. It always messes with your expectations, even the ones it worked to establish in previous installments. There’s plenty more of that this month, along with an amazing dinosaur battle (the tension and excitement created is wonderful; Max is not at all afraid to truly jeopardize his characters), and the musical stylings of 80s sensation and singer-songwriter Eddie Money.

Alters #4 (Paul Jenkins, Leila Leiz, Tamra Bonvillain, Ryane Hill, Brian Stelfreeze-Aftershock): This issue feels like a true crystallized mission statement. Charlie, newly transitioned from male to female and from human to superhuman, is starting to connect with a community that understands and supports those changes, and it has given her the courage to come out to the world as Chalice in a television broadcast. She assuages fears, takes down the haters, and offers up her powers in the service of anyone out there who needs a hero. Then, of course, the baddies show up and threaten to undo it all.

The Wicked + The Divine #26 (Kieron Gillen, Jamie McKelvie, Matthew Wilson, Clayton Cowles, Dee Cunniffe-Image): The gods have made themselves known to the world again, and now the Great Darkness follows, threatening to destroy everything. It’s time to unleash the superpowers… for SOME of the Pantheon. This isn’t The Avengers, and things just aren’t that simple. What we’re seeing is a collection of capricious deities in the bodies of very flawed, very conflicted mortals. Some want to fight, some want to study the enemy further before taking action, and some just want anarchy. Despite what prophecies might say, sometimes your champions just do not give a shit.

Jessica Jones #5 (Brian Michael Bendis, Michael Gaydos, Matt Hollingsworth, VC’s Cory Petit, David Mack, Jay Fosgitt-Marvel): And now we get to the jaw-dropper of the week. One thing I adore about the genre of Detective Fiction is the escalation factor. It always begins with a case, and quickly swells into conflicts and conspiracy WAY beyond the protagonist’s wheelhouse. That’s precisely what we have here, and it involves a recent, massive crossover event in the Marvel universe. It also threatens to turn Jessica against her superhero friends. A big nod to this art team is in order, too; they convey noir atmosphere on each and every page.

Okay, I started dark, so let’s head to the light. Let’s spread the word about all the good things we still enjoy, whether they’re comic books or not. Let’s encourage the creative people who make it possible, and put some money in their pockets for all of their hard work (I’m looking at YOU, pirates). And as always, let’s get it from local shops unless we have no other option. Thanks for reading.

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FUCK the bozos!